tag:blogger.com,1999:blog-5081359243856545032024-03-13T15:43:44.648+01:00Image l(')at(t)enteL'image non développée n'existerait-elle pas? L'image latente, l'attente de l'image, ne participent-elles pas de manière centrale au plaisir de la photographie argentique? Et le Polaroid, n'avait-il pas précisément déjà créé une culture photographique de la consommation immédiate? Plus profondément encore, depuis Daguerre, la photographie (et le cinéma) analogique n'a-t-elle pas été le seul art de représentation qui ne donne pas à voir immédiatement (quelque chose au moins de) ce qu'il produit?Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.comBlogger193125tag:blogger.com,1999:blog-508135924385654503.post-64717479318182280832020-02-04T09:26:00.003+01:002020-02-04T09:26:37.268+01:00Retrouvez moi sur <a href="https://charleslemaire.eu/">https://charleslemaire.eu/</a><br />
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<img border="0" data-original-height="842" data-original-width="1282" height="420" src="https://1.bp.blogspot.com/-5Yez6gNfYg4/Xjkqp-YD06I/AAAAAAAAJh8/YNVLA6_6VmEjOjPmBlDi_deKpDbE6mQmwCLcBGAsYHQ/s640/Capture.PNG" width="640" /><a href="https://charleslemaire.eu/" target="_blank">https://charleslemaire.eu/</a></div>
Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-85567801379465746662019-12-01T15:44:00.001+01:002019-12-01T15:44:39.042+01:00Si vous vous étonnez de ne pas me trouver ici ....Vous aurez remarqué que je ne poste plus ici.<br /><br />Trouvez moi:<br />
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sur mon site web : <a href="http://www.charleslemaire.eu/">www.charleslemaire.eu</a><br />
sur mon profil facebook : <a href="https://www.facebook.com/charles.lemaire.photographe">https://www.facebook.com/charles.lemaire.photographe</a><br />
sur ma page facebook : <a href="https://www.facebook.com/charles.lemaire.expositions/">https://www.facebook.com/charles.lemaire.expositions/</a><br />
sur twitter : <a href="https://twitter.com/CLemairePhoto">https://twitter.com/CLemairePhoto</a><br />
sur instagram : <a href="https://www.instagram.com/charles.lemaire.photographe/">https://www.instagram.com/charles.lemaire.photographe/</a>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-85587207074377216152014-07-27T11:43:00.001+02:002014-07-27T11:43:56.048+02:00Une nouvelle page pour "image latente"<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-6VnuPCa3aJ8/U9TJoF02wRI/AAAAAAAAJUM/s_z7OgR5IX4/s1600/latences.PNG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-6VnuPCa3aJ8/U9TJoF02wRI/AAAAAAAAJUM/s_z7OgR5IX4/s400/latences.PNG" /></a></div>
La nouvelle page (en construction) du projet "<a href="http://charleslemaire.eu/Travaux/Image%20latente.html" target="_blank">image l(')at(t)ente</a>" sur mon site web.Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-57323010120850523192014-07-03T12:10:00.000+02:002014-07-03T12:13:15.576+02:00Il déterre l’appareil photo d’un soldat de 1944 et développe les clichés<i>"La bataille des Ardennes est le nom donné à l’ensemble des opérations militaires qui se sont déroulées sur le plateau de Bastogne en Belgique et dans le nord du Grand-Duché de Luxembourg pendant l’hiver 1944-1945. 70 ans après, l’appareil photo d’un soldat américain tué le 26 décembre 1944 ayant participé aux combats dans cette région, vient d’être retrouvé dans le sol au Luxembourg (près de Niederfeulen) rapporte le site thetroubleshooters.
<b>Trouvé avec un détecteur de métaux</b>
Le film encore intact à l’intérieur a pu être développé et grâce à des effets personnels, l’appareil photo a pu être identifié comme étant celui de Louis J. Archambeau, technicien de l’armée américaine, tué lors de la Bataille des Ardennes. On doit cette toute récente découverte à Mark D. Anderson et Jean Muller, deux passionnés d’histoire et plus particulièrement de la seconde guerre mondiale."</i>
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<a href="http://golem13.fr/soldiers-camera-found-ardennes-70-years-later/" target="_blank">L'article complet</a>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-66784541427168006112014-03-17T20:10:00.000+01:002014-03-17T20:11:43.608+01:00Vivian Maier / Une vie en latence ?L'image qui se révèle lors du processus de développement, ou lors du tirage, a toujours quelque chose de magique... Elle se révèle littéralement.<br />
Quand il s'agit de quelques films oubliés, ou même de beaucoup de films, la magie est bien plus grande.<br />
Mais lorsque c'est toute une vie qui émerge, lorsqu'on a la sensation que le monde est passé à côté de quelque chose - et plus encore de quelqu'un - la magie tourne à la mauvaise blague.<br />
<br />
Diane Arbus, née en 1923, photographe immense, reconnue, suicidée...<br />
Vivian Maier, née en 1926,... on dirait qu'une sorte de suicide précède sa photographie, sa mort, et enfin aujourd'hui sa reconnaissance.<br />
Qu'est ce qui peut dans une vie faire de tels génies, et tant de malheur? <br />
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Quand vous aurez enfin l'occasion de voir le film "<a href="http://www.findingvivianmaier.com/Finding_Vivian_Maier/Movie.html" target="_blank">Finding Vivian Maier</a>", ne le manquez pas.Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-61755564983506538082013-12-30T12:12:00.000+01:002013-12-30T12:12:08.917+01:00AHT / Pendant 100 ans, des negatifs photographiques ...Ces photos ont dormi 100 ans dans la glace<br />
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"Un témoignage qui resurgit un siècle plus tard.
Pendant 100 ans, des négatifs photographiques ont dormi dans les glaces de l'Antarctique. Les clichés, mis au jour cette année par une équipe néo-zélandaise, font resurgir des fantômes du passé. Les documents, au nombre de 22, avaient été réalisés entre 1914 et 1917 par des explorateurs basés en Antarctique, sur l'île de Ross."<br />
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Source: <a href="http://www.lalibre.be/light/insolite/ces-photos-ont-dormi-100-ans-dans-la-glace-52c016dc35701baedaac512d" target="_blank">La Libre Belgique</a> et <a href="https://www.facebook.com/Antarctic.Heritage.Trust" target="_blank">Antarctic Heritage Trust</a>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-9714951996657954082013-05-26T07:00:00.000+02:002013-05-26T07:00:00.423+02:00Nadja Lenz / Cryptographie et photographie"Early photographers dealt extensively with the findings of cryptography, both in their search for suitable substances to produce light-sensitive layers as well as in experimental research into suitable developers to visualise a latent image or document. Mercury and gallic acid played a key role. It comes as no surprise that gallic acid, in particular, received special attention seeing that it was a component of the ink used for documents of a diplomatic character. Hyposulfite, on the other hand, was suitable for use as a fixing agent for both cryptographic and photographic documents.<br />
Photographically and cryptographically motivated experiments on material latency were always useful in the scientific classification of the chemical substances employed. Whether almost by chance - as in the case of Jean Hellot - or exactingly scientific - in John Herschel’s case - this made it possible to arrive at new conclusions on chemical and chemicalphysical effects.<br />
Cryptography not only made a major contribution to the discovery of photography, it still plays a pioneer role. Long before the discovery of photography, cryptography used immaterial latency to store and transmit information. Photography has only made use of immaterial latency for the same purpose since the middle of the 20th century."<br />
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Source: <a href="http://www.donau-uni.ac.at/imperia/md/content/studium/kultur/zbw/eshph/photoresearcher/the_hidden_image_2012.pdf" target="_blank">Nadja Lenz / The Hidden Image: Latency in Photography and Cryptography in the 19th Century </a><br />
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Thanks to Majid Alwan for communicating me this articleCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-86982772786897639542013-05-22T07:00:00.000+02:002013-05-22T07:57:52.338+02:00Lovecraft / N'est pas mort ce qui à jamais dort"N'est pas mort ce qui à jamais dort..."<br />
("That is not dead which can eternal lie.") <br />
<br />
Un vers de <a href="https://fr.wikipedia.org/wiki/Necronomicon" target="_blank">Abdul al-Hazred</a> (personnage fictif du Mythe de Cthulhu écrit par Howard Phillips Lovecraft à travers plusieurs livres)<br />
Lu sur un mur de BruxellesCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-71816461725321714112013-04-13T07:00:00.000+02:002013-04-13T07:00:02.374+02:00Latences #5<a href="http://2.bp.blogspot.com/-8f2SKGPnmcY/UWewor5BcvI/AAAAAAAAG8o/f2EZ4dGbKUY/s1600/latences5.jpg" imageanchor="1"><img border="0" height="436" src="http://2.bp.blogspot.com/-8f2SKGPnmcY/UWewor5BcvI/AAAAAAAAG8o/f2EZ4dGbKUY/s640/latences5.jpg" width="640" /></a>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-57626339200743921532013-04-02T07:00:00.000+02:002013-04-12T12:51:24.811+02:00Latences #5<!--[if gte mso 9]><xml>
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c’est la caisse. Le mouton que tu veux est dedans.</span></i></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="FR" style="font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">C’est
tout à fait comme ça que je le voulais !»</span></i></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;">St Exupéry / Le Petit Prince / Gallimard 1943</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;"><br />L’appareil s’est montré par la suite tout à fait fonctionnel. Des photos couleurs ont été faites avec celui-ci en juillet 2006.</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;"><br />Le 22 novembre 2012, un film Kodak Tmax 400 (format 120) a été bobiné sur un axe 620 et l’appareil chargé avec celui-ci. Le film a été complètement exposé entre le 24 novembre 2012 et le 1er avril 2012. Il a ensuite été bobiné complètement, pour réduire les futurs dommages causés par l’air et la lumière. L’appareil a alors été scellé avec le film à l’intérieur.</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-size: 9.0pt; line-height: 115%; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-latin;"><br />Seule l’image latente peut être parfaite!<br />Ce travail fait partie du projet “Latences” (2006-2013)</span></b></div>
Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-67622406588411817622013-02-26T07:00:00.000+01:002013-02-26T07:00:03.830+01:00Tom Lanoye / des images jamais enregistrées“<i>De foto’s die ik zie, onder de koebel als onder een presse-papier zijn niet langer foto’s in zwart-wit. Ze zinderen van de ongekende kleuren. De fotografie is een procedé waarbij het licht wordt gevangen en chemisch vastgelegd. Deze foto’s echter stralen van zichzelf. Ze lichten op in het donker. Want ze bevatten beelden die nooit geregistreerd zijn, behalve in de sluitertijd van mijn veertienjarig hart.</i>” – Tom Lanoye / Kartonnen dozen (p83)Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-498998113716362162013-01-20T09:40:00.002+01:002013-01-20T09:40:44.702+01:00Le portrait imprime est anachronique<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<span lang="NL-BE" style="mso-ansi-language: NL-BE;">"Snapshots
zonder retro-effecten</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="NL-BE" style="mso-ansi-language: NL-BE;">Brussel -
Wanneer iedereen op elk moment van de dag foto's kan nemen, bewerken en delen,
lijken afgedrukte portretten bijna een anachronisme. En dat maakt ze net weer
speciaal."</span></div>
<div class="MsoNormal">
<span lang="NL-BE" style="mso-ansi-language: NL-BE;">Metro (Be)
vrijdag 18 januari 2013 / p 11</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span class="hps"><span lang="FR" style="mso-ansi-language: FR;">"</span></span><span lang="FR" style="mso-ansi-language: FR;">Instantanés <span class="hps">sans</span> <span class="hps">rétro</span><span class="atn">-</span>effets<br />
<br />
<span class="hps">Bruxelles –</span> <span class="hps">Alors que chacun peut,</span>
<span class="hps">à n'importe quel</span> <span class="hps">moment de la journée, prendre
des photos</span>, les éditer et les partager, les <span class="hps">portraits</span>
<span class="hps">imprimés</span> <span class="hps">semblent presque</span> <span class="hps">un anachronisme</span>. <span class="hps">Et</span> <span class="hps">cela
ne fait que</span> <span class="hps">les rendre à nouveau particuliers</span>.<span class="hps">"</span></span></div>
Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-54498365393159584282012-12-30T07:00:00.000+01:002012-12-30T07:00:06.385+01:00Philippe Jaccottet / S’il y a un passage, il ne peut pas être visible<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span class="messageBody" data-ft="{"type":3}"><span class="userContent">Et
me voilà tâtonnant à nouveau, trébuchant, accueillant les images pour
les écarter ensuite, cherchant à dépouiller le signe de tout ce qui ne
lui serait pas rigoureusement intérieur ; mais craignant aussi qu’une
fois dépouillé de la sorte, il ne se retranche que lieux dans son
secret."<br /> "Paysage avec figures absentes" Philippe Jaccottet</span></span></h5>
<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span class="messageBody" data-ft="{"type":3}"><span class="userContent">Source: <a href="http://temporel.fr/Philippe-Jaccottet-S-il-y-a-un" target="_blank">Temporel</a> </span></span></h5>
Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-11707430254672842102012-10-17T07:00:00.000+02:002012-10-17T07:00:10.551+02:00Sicard M / Le calotype et l'emergence de l'image latente...<i>"... Le calotype, qui voit le jour rapidement après le daguerréotype, semble
mieux convenir aux artistes. L’existence d’un négatif permet une
reproduction multiple. Surtout, la présence d’une image latente dont
l’apparition s’effectue progressivement dans l’obscurité du laboratoire,
frappe les esprits. Les opérateurs ne voient plus là une oxydation du
chlorure d’argent, mais simplement un « lent dépôt de lumière sur une
surface ». ..."</i><br />
<i><br /></i>
<br />
Monique Sicard: <a href="http://revel.unice.fr/alliage/?id=3997" target="_blank">La photographie scientifique, les académismes et les avant-gardes</a> / Alliage | n°39 L'image dans la science
Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-23732331932917726692012-08-30T07:00:00.000+02:002012-08-30T07:00:04.933+02:00Rene Char / Des traces et non des preuves"<i>... laisser des traces de son passage, non des preuves. Seules les traces font rêver.</i>"<br />
<br />
René CharCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-45602105248967441152012-08-01T07:00:00.000+02:002012-08-01T07:00:06.740+02:00La carte SD oubliee!"<i>Haha wauw, vind je oude SD kaartjes, staan ze vol met foto's uit 2006 en 2007. How cute.</i>"<br />
(Traduction: Haha wow, vous trouvez de vieilles cartes SD, elles sont pleines de photos de 2006 et 2007. Comme c'est mignon.")<br />
<br />
Source: Facebook<br />
<br />
La magie du film non-développé fonctionne donc aussi avec les cartes mémoires!<br />Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-45730621972694969642012-07-01T14:50:00.003+02:002012-07-01T14:50:47.303+02:00Lao Tseu / Le grand oeuvre evite d'advenir<i>"Le grand carré n'a pas d'angles,</i><br />
<i>le grand œuvre évite d'advenir,</i><br />
<i>la grande sonorité n'a qu'un son réduit,</i><br />
<i>la grande image n'a pas de forme"</i><br />
<br />
Laozi
(Lao Tseu, Vème siècle A.C.), cité par François Jullien / La grande
image n'a pas de forme, à partir des Arts de peindre de la Chine
ancienne / Seuils, Points, Essais / 2003 / p114Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-39437422970041703962012-06-10T07:00:00.000+02:002012-06-10T07:00:07.360+02:00Ugo Mulas / Verifications<i>"Verifications 1969-1972<br /><br />
In 1970 I began taking photographs whose subject matter was photography
itself, a sort of analysis of the operations of photography aimed at
identifying its basic elements and their intrinsic significance. For
instance, what is a sensitive surface? Why using a telephoto or
wide-angle lens? Why do you choose a certain format? Why making
enlargements? What relation exists between a photograph and its caption?
And so on. All fundamental subjects of every photography manual but
seen from the opposite side, that is by a seasoned professional with
twenty years of experience, while manuals are usually addressed to and
read by beginners."</i><br />
<br />
<i>Source: <a href="http://www.ugomulas.org/index.cgi?action=view&idramo=1090232183&lang=eng" target="_blank">Ugo Mulas</a> </i>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-86340499010826466842012-06-09T07:00:00.000+02:002012-06-09T07:00:00.074+02:00Ray Bradbury / Reve et realite"Si on ne peut avoir la réalité, un rêve vaut tout autant."<br />
<br />
Chroniques martiennes / Ray BradburyCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-38868032678723820212012-03-31T08:00:00.004+02:002012-03-31T12:27:42.195+02:00Latences #4 a Namur / oeuvre preselectionnee<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-dIjGNLWI2PI/TaGCTcIMKRI/AAAAAAAACJk/SO9WiL4Y0mI/s1600/2011_04_09_2377.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://1.bp.blogspot.com/-dIjGNLWI2PI/TaGCTcIMKRI/AAAAAAAACJk/SO9WiL4Y0mI/s400/2011_04_09_2377.JPG" alt="" id="BLOGGER_PHOTO_ID_5593895482650536210" border="0" /></a>Présentation de cette oeuvre pour <a href="http://canvascollectie.canvas.be/" target="_blank">De Canvascollectie</a>/<a href="http://www.rtbf.be/lacollection/" target="_blank">La Collection RTBF</a> aujourd'hui à la Maison de la Culture de Namur.<br /><br />Oeuvre présélectionnée et visible Dimanche 1/4/2012 à la maison de la Culture de Namur, de 12h à 14hCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-59200783272263369462012-03-01T08:00:00.000+01:002012-03-01T08:00:00.088+01:00Einstein et la lune<span style="font-style:italic;">«J’aime penser que la lune est là même si je ne la regarde pas.» (“I like to think that the moon is there even if I am not looking at it”)</span><br />Albert EinsteinCharles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-23225126640523380682011-12-28T08:00:00.002+01:002011-12-28T10:13:27.843+01:00Unprocessed Xmas and Latent New Year !<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-AQD_CKcK11E/TvrdsTxRQ9I/AAAAAAAADgk/-W8TvK8neuk/s1600/voeux2012-latent.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/-AQD_CKcK11E/TvrdsTxRQ9I/AAAAAAAADgk/-W8TvK8neuk/s400/voeux2012-latent.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5691104832426951634" /></a>Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-34066783413142736952011-11-18T08:00:00.003+01:002011-11-18T08:00:08.534+01:00Latences #4 au concours RTBf / CANVAS<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-dIjGNLWI2PI/TaGCTcIMKRI/AAAAAAAACJk/SO9WiL4Y0mI/s1600/2011_04_09_2377.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://1.bp.blogspot.com/-dIjGNLWI2PI/TaGCTcIMKRI/AAAAAAAACJk/SO9WiL4Y0mI/s400/2011_04_09_2377.JPG" alt="" id="BLOGGER_PHOTO_ID_5593895482650536210" border="0" /></a>C'est fait, je suis inscrit au concours 2012 de «<a href="http://canvascollectie.canvas.be/" target="_blank">De Canvascollectie</a>/<a href="http://www.rtbf.be/lacollection/" target="_blank">La Collection RTBF</a>»Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-88513536094259120882011-11-06T08:00:00.004+01:002011-11-06T08:42:31.508+01:00Suzanne Lafont / les cliches de Beckett<span style="font-style:italic;">"(...) Les expressions imagées (...) sont emblématiques de la fonction paradoxale du cliché dans l’écriture de Beckett : ranimer le dynamisme d’un langage engourdi, réveiller une image latente, produire des échos textuels inattendus. On dit ordinairement du cliché qu’il relève du déjà vu et du déjà dit ; Beckett rectifierait : oui, mais mal vu, mal entendu. (...)"</span><br /><br /><a href="http://limitebeckett.paris-sorbonne.fr/two/lafont.pdf" target="_blank">Éloge du cliché chez Beckett</a> (dans En attendant Godot, La Dernière Bande, Oh les beaux jours) / Suzanne Lafont / Limit{e} Beckett 2 | Spring 2011Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0tag:blogger.com,1999:blog-508135924385654503.post-44101389450395429352011-10-29T08:00:00.001+02:002011-11-05T08:02:48.843+01:00Jon Crispin / Frozen in timeUntil the 1960s, patients checking into Willard Psychiatric Center were permitted to bring a single suitcase of personal belongings. These items — ranging from hair brushes and alarm clocks to letters and unpaid bills — were intended for storage until their owners were ready to leave, but many of them never did. Now, 50 years later, photographer Jon Crispin will document the incredible contents of these accidental time capsules.<br />Source: <a href="http://www.kickstarter.com" target="_blank">Kickstarter</a><br /><br /><a href="http://www.kickstarter.com/projects/265363123/willard-asylum-suitcase-documentation" target="_blank">Willard Asylum Suitcase Documentation</a><br />A Photography project in Albany, NY by Jon Crispin<br /><br />"<span style="font-style:italic;">About this project<br /><br />In 1995, the New York State Museum was moving items out of the Willard Psychiatric Center in Willard, NY which was being closed by the State Office of Mental Health. It would eventually become a state-run drug rehabilitation center. Craig Williams and his staff became aware of an attic full of suitcases in the pathology lab building. The cases were put into storage when their owners were admitted to Willard sometime between 1910 and the 1960s. And since the facility was set up to help people with chronic mental illness, these folks never left. An exhibit of a small selection of the cases was produced by the Museum and was on display in Albany in 2003. It was very moving to read the stories of these people, and to see objects from their lives before they became residents of Willard.<br /><br />I have been given the incredible opportunity to photograph these cases and their contents. To me, they open a small window into the lives of some of the people who lived at the facility. I have settled on the idea of shooting the suitcases as they have been preserved by the museum, since part of my goal with this project is to show the care that was taken in archiving these materials. You can see the genesis of my approach to this documentation on my wordpress site, <a href="http://joncrispin.wordpress.com/2011/03/18/willard-asylum-suitcase/" target="_blank">here</a> and <a href="http://joncrispin.wordpress.com/2011/07/24/willard-asylum-suitcase-2/" target="_blank">here</a>.</span>"Charles (biloko) Lemairehttp://www.blogger.com/profile/09738617046071217727noreply@blogger.com0