mardi 7 décembre 2010

Robert Capa / les rates du jour J

"(...)With his cameras held high to keep them from getting waterlogged, Capa was pulled aboard the LCI and was soon out of harm's way. He had used three rolls of film and exposed 106 frames. After reaching England, he sped by train to London and delivered his precious film for developing. (...)"

The Magnificent Eleven: The D-Day / Photographs of Robert Capa

"(...)Braddy, our lab chief, gave the film to young Dennis Banks to develop. Photographer Hans Wild looked at it wet and called up to me to say that the 35-millimeter, though grainy, looked "fabulous!" I replied, "We need contacts - rush, rush, rush!" Again I phoned Butler through the AP switchboard, but he could only bellow, "When do I get pictures?" Brandt's wirephoto of troops landing apparently unopposed had scarcely satisfied the West's desperate need to believe in the actuality of invasion. A few minutes later Dennis came bounding up the stairs and into my office, sobbing. "They're ruined! Ruined! Capa's films are all ruined!" Incredulous, I rushed down to the darkroom with him, where he explained that he had hung the films, as usual, in the wooden locker that served as a drying cabinet, heated by a coil on the floor. Because of my order to rush, he had closed the doors. Without ventilation the emulsion had melted. (...)

But on the fourth roll there were eleven frames with distinct images. They were probably representative of the entire 35-millimeter take, but their grainy imperfection — perhaps enhanced by the lab accident — contributed to making them among the most dramatic battlefield photos ever taken. (...)"

John Morris / The Magnificent Eleven: The D-Day / Photographs of Robert Capa

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